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Alexandre Kantorow, Tapiola Sinfonietta & Jean-Jacques Kantorow – Liszt: Piano Concertos (2015)

Artist: Alexandre Kantorow, Tapiola Sinfonietta & Jean-Jacques Kantorow
Title Of Album: Liszt: Piano Concertos
Year Of Release: 2015
Label: BIS
Genre: Classical
Quality: 320 KBPS
Total Time: 57:55 min
Total Size: 132  MB

Piano Concerto No.1 in E flat major, S.124 (1832–56)

01. I. Allegro maestoso. Tempo giusto (5:52)
02. II. Quasi adagio (5:09)
03. III. Allegretto vivace – Allegro animato (4:06)
04. IV. Allegro marziale animato (4:10)

Concerto in E minor ‘Malédiction’, S.121 (1833–40)
for piano and strings

05. Quasi moderato – Sostenuto… (7:58)
06. Bar 163: energico nobilmente – Sempre moderato… (7:59)

Piano Concerto No.2 in A major, S.125 (1839/1849–61)

07. Adagio sostenuto assai – Allegro agitato assai (7:24)
08. Tempo del andante – Allegro moderato (6:25)
09. Allegro deciso (2:53)
10. Marziale, un poco meno allegro (1:08)
11. Un poco meno mosso (2:58)
12. Allegro animato (1:59)

As a teenager, Franz Liszt created at least two virtuosic concertos for piano and orchestra, scores which now are lost. The three works gathered here first saw the light of day only a few years later, however, during the 1830’s when Liszt’s career as a young, travelling virtuoso was at its height. The two numbered concertos, which Liszt revised extensively before letting them be published some 25 years after their conception, frame the single-movement Malédiction for piano and strings which Liszt composed in 1833 and revised in 1840, but which was never published in his lifetime. Stepping into Liszt’s shoes for the present recording is Alexandre Kantorow, another very young man. Born in 1997, Alexandre is here supported by his father Jean-Jacques Kantorow conducting the Tapiola Sinfonietta, a team with a number of highly acclaimed recordings to their credit. The recording is Alexandre’s first for BIS, as well as being his début concerto disc, and represents a remarkable achievement by a hugely promising talent, as well as being a vibrant and exciting account of three impassioned scores.


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